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authorMonty Taylor <mordred@inaugust.com>2015-08-01 01:18:29 +1000
committerMonty Taylor <mordred@inaugust.com>2015-08-01 01:18:29 +1000
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1<!doctype html>
2<html lang="en">
3
4 <head>
5 <meta charset="utf-8">
6
7 <title>OpenStack: a vision for the future</title>
8
9 <meta name="author" content="Monty Taylor" />
10
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32 </head>
33 <body>
34
35 <div class="reveal"><div class="slides">
36
37 <section data-state="cover">
38
39 <h1><span xmlns:dct="http://purl.org/dc/terms/"
40 href="http://purl.org/dc/dcmitype/InteractiveResource"
41 property="dct:title"
42 rel="dct:type">
43 OpenStack: a vision for the future
44 </span></h1>
45 <h3 xmlns:cc="http://creativecommons.org/ns#"
46 property="cc:attributionName">Monty Taylor</h3>
47 <h4><a xmlns:cc="http://creativecommons.org/ns#"
48 rel="cc:attributionURL"
49 href='http://inaugust.com/talks/a-vision-for-the-future.html'>http://inaugust.com/talks/a-vision-for-the-future.html</a> </h4>
50 <h3> twitter: @e_monty </h3>
51 </section>
52
53 <section>
54 <h1>Stanislavski</h1>
55 </section>
56
57
58 <section>
59 <img src="/images/openstack-cloud-software-vertical-large.png" />
60 </section>
61
62 <section id="who-am-i-openstack" class="slide level2">
63 <h1>Who am I?</h1>
64 <img style="float:right; margin-right:24pt" src="/images/openstack-cloud-software-vertical-large.png" />
65 <p>Technical Committee</p>
66 <p>Foundation Board of Directors</p>
67 <p>Developer Infrastructure Core Team</p>
68 </section>
69
70
71 <section id="who-am-i-openstack" class="slide level2">
72 <h1>Who am I?</h1>
73 <img style="float:right; margin-right:24pt" src="/images/image39.jpg" />
74 <p>Undergrad Degree in Theatre Directing</p>
75 <p>Grad School at CalArts for Lighting Design</p>
76 <p>Member of the Satori Group</p>
77 </section>
78
79
80 <section>
81 <h1>Konstantin Sergeyevich Stanislavsky</h1>
82
83 <h3>Константи́н Серге́евич Станисла́вский</h3>
84 <p class="fragment">Founder of the Moscow Art Theatre</p>
85
86 <p class="fragment">"The task of our generation is to liberate art from outmoded tradition, from tired cliché and to give greater freedom to imagination and creative ability."</p>
87
88 <p class="fragment">Psychological Realism</p>
89 </section>
90
91
92 <section>
93 <h1>Anton Chekhov</h1>
94 <p>The Seagull (1898)</p>
95 <p>Uncle Vanya (1899)</p>
96 <p>The Three Sisters (1901)</p>
97 <p>The Cherry Orchard (1904)</p>
98 </section>
99
100
101 <section>
102 <h1>Moscow Art Theatre</h1>
103
104 <p>Founded in 1897</p>
105
106 <p>popular seat prices</p>
107
108 <p>ensemble ethos</p>
109
110 <p>realistic theatre</p>
111
112
113 </section>
114
115
116 <section>
117 <h1>Verisimilitude</h1>
118
119 <p>the appearance of being true or real</p>
120
121
122 </section>
123
124
125 <section>
126 <h1>Psychology, Physiology and Neurology</h1>
127
128 <p class="fragment">First meeting of International Congress of Psychology - Paris, 1889</p>
129
130 <p class="fragment">Pavlov - Institute of Experimenal Medicine, St. Petersburg, 1891</p>
131
132 <p class="fragment">(the dogs were in 1901)</p>
133
134 <p class="fragment">Freud - Interpretation of Dreams 1899</p>
135
136
137 </section>
138
139
140 <section>
141 <h1>Stanislavski's system</h1>
142
143 <p>psychophisology</p>
144
145 <p>interrelation between mind and body</p>
146
147 <p>Physical Actions and Internal Life are linked</p>
148
149 <p>Most modern theatre, tv and film actors</p>
150
151
152 </section>
153
154
155 <section>
156 <h1>Key ideas</h1>
157
158 <p class="fragment">"What if" (what if I were in the same situtaion as my character)</p>
159
160 <p class="fragment">Motivation (why)</p>
161
162 <p class="fragment">Objectives (what do I want)</p>
163
164 </section>
165
166 <section data-transition="zoom">
167 <h1>Chekhov and Psychological action</h1>
168 </section>
169
170
171 <section data-transition="zoom">
172 <h1>Emotional Memory</h1>
173 </section>
174
175
176 <section data-transition="zoom">
177 <h1>Sense Memory</h1>
178 </section>
179
180
181 <section>
182 <h1>Inside out</h1>
183
184 <p>like using a programming framework</p>
185
186 <p>Express the key points - let the framework handle the details</p>
187
188 <p>Manipulate the emotional life - the body will handle a lot of the details</p>
189
190
191 </section>
192
193
194 <section>
195 <h1><em>An Actor Prepares</em></h1>
196
197 <p>For further reading</p>
198
199
200 </section>
201
202
203 <section>
204 <h1>Lee Strasberg</h1>
205
206 <p class="fragment">Moscow Art Theatre visited the US in 1923</p>
207
208 <p class="fragment">Strasberg == Mind Blown</p>
209
210 <p class="fragment">Dropped out of school and went to study with the Russians</p>
211
212
213 </section>
214
215
216 <section>
217 <h1>The Group Theatre</h1>
218
219 <p>New York - 1931</p>
220
221 <p>Founded by Lee Strassberg, Harold Clurman and Cheryl Crawford</p>
222
223 <p>Not the same as the Group Theatre in London</p>
224
225 <p>Believed in Leaderless Operation and Collaborative Work</p>
226
227
228 </section>
229
230
231 <section>
232 <h1>Sound familiar?</h1>
233 </section>
234
235
236 <section>
237 <h1>The Method</h1>
238
239 <p class="fragment">Strasberg took Stanislavski's system and made a training system</p>
240
241 <p class="fragment">You've probably heard of it</p>
242
243 <p class="fragment">Marlon Brando, Heath Ledger, Philip Seymor Hoffman, Robert DeNiro, Daniel Day-Lewis, Christian Bale, Al Pacino</p>
244
245
246 </section>
247
248
249 <section>
250 <h1>Big differences from Stanislavski</h1>
251
252 <p class="fragment">Emotional Memory becomes Affective Memory</p>
253
254 <p class="fragment">Substitution - What would make me, the actor, behave in the way the character does</p>
255
256
257 </section>
258
259
260 <section>
261 <h1>So I was at this bar ...</h1>
262 </section>
263
264
265 <section>
266 <h1>Clear danger, right?</h1>
267
268 <p>Notice that Heath Ledger and Philip Seymour Hoffman were in the list</p>
269
270 <p>Everyone other than Strasberg walked away from pure-emotional immersion</p>
271
272
273 </section>
274
275
276 <section>
277 <h1>Stanford Meisner</h1>
278
279 <p>Split from Strasberg - thought emotional memory caused actors to focus on themselves and not the character</p>
280
281 <p>Concentration on the parter instead</p>
282
283 <p>live truthfully under imaginary circumstances</p>
284
285 </section>
286
287
288 <section>
289 <h1>Stella Adler</h1>
290
291 <p>Broke with Strasberg after studying with Stanislavski</p>
292
293 <p>Emotion should come from imagination based on given circumstance</p>
294
295
296 </section>
297
298
299 <section>
300 <h1>Uta Hagen</h1>
301
302 <p>Another split</p>
303
304 <p>Basic Object Exercises</p>
305
306 <p>Start by doing mundane things in front of people</p>
307
308
309 </section>
310
311
312 <section>
313 <h1>What the heck does this have to do with OpenStack?</h1>
314 </section>
315
316
317 <section>
318 <h1>All of these people shared a purpose</h1>
319
320 <p class="fragment">To create truth in realistic acting</p>
321
322
323 </section>
324
325
326 <section>
327 <h1>All of these people both shared approaches and diverged substantially</h1>
328
329 <p class="fragment">"What would I do if I were in this circumstance"</p>
330
331 <p class="fragment">"What would motivate me, the actor, to behave in the way the character does?"</p>
332
333
334 </section>
335
336
337 <section>
338 <h1>Tadashi Suzuki</h1>
339 </section>
340
341
342 <section>
343 <h1>The Feet</h1>
344
345 <p class="fragment">connection to the ground</p>
346 <p class="fragment">outside in</p>
347 <p class="fragment">Truth from Physicality, not from Psychological realism</p>
348 </section>
349
350
351 <section>
352 <h1>The Trojan Women</h1>
353
354 <p>Drew from Noh, Kabuki and Shingeki tranditions</p>
355
356 <p>Produce a thing that is "true" to a modern Japanese sensibility</p>
357
358 <p>Training arose from the need to train replacement actors for the show</p>
359
360
361 </section>
362
363
364 <section>
365 <h1>SITI Company</h1>
366
367 <p>Suzuki collaborated with Anne Bogart</p>
368
369 <p>Added Anne Bogart's Viewpoints to Suzuki's techniques</p>
370
371
372 </section>
373
374
375 <section>
376 <h1>P3</h1>
377
378 <p>Robyn Hunt and Steve Pearson studied for 12 year in Japan with Suzuki</p>
379
380 <p>Moved back to US to teach the techniques</p>
381
382 <p>Added Shogo Ohta's slow-tempo techniques</p>
383
384
385 </section>
386
387
388 <section>
389 <h1>Frank</h1>
390
391 <p>Here in Brisbane</p>
392
393 <p>Studied with Suzuki - Added Australian content and form</p>
394
395 <p>Exercies to Nick Cave instead of Japanese Flute</p>
396
397 </section>
398
399
400 <section>
401 <h1>The training is a tool</h1>
402
403 <p>An actor might study all of them</p>
404 <p>Each technique can be useful for different things</p>
405
406
407 </section>
408
409 <section>
410 <h1>Shakespeare</h1>
411 <p>Each of these directors has applied their techniques to Shakespeare</p>
412 </section>
413
414 <section>
415 <h1>They're all useful tools for different hings</h1>
416 </section>
417
418
419 <section>
420 <h1>Why all this talk about acting techniques?</h1>
421 </section>
422
423
424 <section>
425 <h1>Four takeaways from the actors</h1>
426 <p class="fragment">Know what problem they're trying to solve</p>
427 <p class="fragment">Develop techniques to solve the problem</p>
428 <p class="fragment">Don't confuse technique with results</p>
429 <p class="fragment">Be willing to adapt based on new data</p>
430 </section>
431
432
433 <section>
434 <h1>The problem</h1>
435 <p class="fragment">Are we chasing psycological realism?</p>
436 <p class="fragment">Are we chasing physical truth?</p>
437 </section>
438
439
440 <section>
441 <h1>The problem for us</h1>
442 <p class="fragment">Are we making a toolkit for people to use to build clouds?</p>
443 <p class="fragment">Are we making a cloud that can be deployed in multiple places?</p>
444 <p class="fragment">Are we providing computers?</p>
445 </section>
446
447 <section>
448 <h1>What I want</h1>
449 </section>
450
451 <section data-transition='zoom'>
452 <h1>OpenStack should provide computers and networks that work</h1>
453 </section>
454
455 <section data-transition='zoom'>
456 <h1>OpenStack should not chase 12-factor apps</h1>
457 </section>
458
459 <section data-transition='zoom'>
460 <h1>OpenStack should provide a happy home for app frameworks</h1>
461 </section>
462
463 <section data-transition='zoom'>
464 <h1>OpenStack should, by default, give me a directly routable IP</h1>
465 </section>
466
467 <section>
468 <h1> Thank you! </h1>
469 <h4> <a href='http://inaugust.com/talks/a-vision-for-the-future.html'>http://inaugust.com/talks/a-vision-for-the-future.html</a> </h4>
470 <h3> twitter: @e_monty </h3>
471 </section>
472
473 </div>
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482 href="http://creativecommons.org/licenses/by/4.0/">
483 Creative Commons Attribution 4.0 International License
484 </a>.
485 <br />
486 Source code available at <a href='http://git.inaugust.com/cgit/mordred-talks'>http://git.inaugust.com/cgit/mordred-talks</a>
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