From 69d66321015064c63ef6377ccff5f6d35560fb19 Mon Sep 17 00:00:00 2001 From: Monty Taylor Date: Sat, 1 Aug 2015 01:18:29 +1000 Subject: Move talks down a level --- src/talks/a-vision-for-the-future/index.html | 498 +++++++++++++++++++++++++++ src/talks/index.hbs | 71 ++++ src/talks/template/index.hbs | 111 ++++++ 3 files changed, 680 insertions(+) create mode 100644 src/talks/a-vision-for-the-future/index.html create mode 100644 src/talks/index.hbs create mode 100644 src/talks/template/index.hbs (limited to 'src/talks') diff --git a/src/talks/a-vision-for-the-future/index.html b/src/talks/a-vision-for-the-future/index.html new file mode 100644 index 0000000..88fdbe5 --- /dev/null +++ b/src/talks/a-vision-for-the-future/index.html @@ -0,0 +1,498 @@ + + + + + + + OpenStack: a vision for the future + + + + + + + + + + + + + + + + + + + +
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+ OpenStack: a vision for the future +

+

Monty Taylor

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http://inaugust.com/talks/a-vision-for-the-future.html

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twitter: @e_monty

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Stanislavski

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Who am I?

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Technical Committee

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Foundation Board of Directors

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Developer Infrastructure Core Team

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Who am I?

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Undergrad Degree in Theatre Directing

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Grad School at CalArts for Lighting Design

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Member of the Satori Group

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Konstantin Sergeyevich Stanislavsky

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Константи́н Серге́евич Станисла́вский

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Founder of the Moscow Art Theatre

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"The task of our generation is to liberate art from outmoded tradition, from tired cliché and to give greater freedom to imagination and creative ability."

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Psychological Realism

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Anton Chekhov

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The Seagull (1898)

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Uncle Vanya (1899)

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The Three Sisters (1901)

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The Cherry Orchard (1904)

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Moscow Art Theatre

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Founded in 1897

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popular seat prices

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ensemble ethos

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realistic theatre

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Verisimilitude

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the appearance of being true or real

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Psychology, Physiology and Neurology

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First meeting of International Congress of Psychology - Paris, 1889

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Pavlov - Institute of Experimenal Medicine, St. Petersburg, 1891

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(the dogs were in 1901)

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Freud - Interpretation of Dreams 1899

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Stanislavski's system

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psychophisology

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interrelation between mind and body

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Physical Actions and Internal Life are linked

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Most modern theatre, tv and film actors

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Key ideas

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"What if" (what if I were in the same situtaion as my character)

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Motivation (why)

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Objectives (what do I want)

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Chekhov and Psychological action

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Emotional Memory

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Sense Memory

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Inside out

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like using a programming framework

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Express the key points - let the framework handle the details

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Manipulate the emotional life - the body will handle a lot of the details

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An Actor Prepares

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For further reading

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Lee Strasberg

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Moscow Art Theatre visited the US in 1923

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Strasberg == Mind Blown

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Dropped out of school and went to study with the Russians

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The Group Theatre

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New York - 1931

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Founded by Lee Strassberg, Harold Clurman and Cheryl Crawford

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Not the same as the Group Theatre in London

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Believed in Leaderless Operation and Collaborative Work

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Sound familiar?

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The Method

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Strasberg took Stanislavski's system and made a training system

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You've probably heard of it

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Marlon Brando, Heath Ledger, Philip Seymor Hoffman, Robert DeNiro, Daniel Day-Lewis, Christian Bale, Al Pacino

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Big differences from Stanislavski

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Emotional Memory becomes Affective Memory

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Substitution - What would make me, the actor, behave in the way the character does

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So I was at this bar ...

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Clear danger, right?

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Notice that Heath Ledger and Philip Seymour Hoffman were in the list

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Everyone other than Strasberg walked away from pure-emotional immersion

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Stanford Meisner

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Split from Strasberg - thought emotional memory caused actors to focus on themselves and not the character

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Concentration on the parter instead

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live truthfully under imaginary circumstances

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Stella Adler

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Broke with Strasberg after studying with Stanislavski

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Emotion should come from imagination based on given circumstance

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Uta Hagen

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Another split

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Basic Object Exercises

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Start by doing mundane things in front of people

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What the heck does this have to do with OpenStack?

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All of these people shared a purpose

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To create truth in realistic acting

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All of these people both shared approaches and diverged substantially

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"What would I do if I were in this circumstance"

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"What would motivate me, the actor, to behave in the way the character does?"

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Tadashi Suzuki

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The Feet

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connection to the ground

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outside in

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Truth from Physicality, not from Psychological realism

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The Trojan Women

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Drew from Noh, Kabuki and Shingeki tranditions

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Produce a thing that is "true" to a modern Japanese sensibility

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Training arose from the need to train replacement actors for the show

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SITI Company

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Suzuki collaborated with Anne Bogart

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Added Anne Bogart's Viewpoints to Suzuki's techniques

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P3

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Robyn Hunt and Steve Pearson studied for 12 year in Japan with Suzuki

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Moved back to US to teach the techniques

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Added Shogo Ohta's slow-tempo techniques

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Frank

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Here in Brisbane

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Studied with Suzuki - Added Australian content and form

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Exercies to Nick Cave instead of Japanese Flute

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The training is a tool

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An actor might study all of them

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Each technique can be useful for different things

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Shakespeare

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Each of these directors has applied their techniques to Shakespeare

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They're all useful tools for different hings

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Why all this talk about acting techniques?

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Four takeaways from the actors

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Know what problem they're trying to solve

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Develop techniques to solve the problem

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Don't confuse technique with results

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Be willing to adapt based on new data

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The problem

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Are we chasing psycological realism?

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Are we chasing physical truth?

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The problem for us

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Are we making a toolkit for people to use to build clouds?

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Are we making a cloud that can be deployed in multiple places?

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Are we providing computers?

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What I want

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OpenStack should provide computers and networks that work

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OpenStack should not chase 12-factor apps

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OpenStack should provide a happy home for app frameworks

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OpenStack should, by default, give me a directly routable IP

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Thank you!

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http://inaugust.com/talks/a-vision-for-the-future.html

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twitter: @e_monty

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+ +
+
+ + Creative Commons License +
+ Licensed under a + + Creative Commons Attribution 4.0 International License + . +
+ Source code available at http://git.inaugust.com/cgit/mordred-talks +
+ +
+ + + + + + + + + diff --git a/src/talks/index.hbs b/src/talks/index.hbs new file mode 100644 index 0000000..4fba0b1 --- /dev/null +++ b/src/talks/index.hbs @@ -0,0 +1,71 @@ + + + + + + Conference Talks + + + + + + + + +
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+ + + + + + + + + {{#each presentations}} + + + + + {{/each}} + +
Last UpdatedTitle
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+ + + diff --git a/src/talks/template/index.hbs b/src/talks/template/index.hbs new file mode 100644 index 0000000..1d05d8f --- /dev/null +++ b/src/talks/template/index.hbs @@ -0,0 +1,111 @@ + + + + + + + {{presentation.title}} + + + + + + + + + + + + + + + + + + + + + + + + + +
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{{presentation.title}}

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{{presentation.description}}

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by {{author.name}}

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+ + + + + +
+ + -- cgit v1.2.3