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Diffstat (limited to 'src')
-rw-r--r-- | src/2015-08-pyconau/index.html | 215 | ||||
-rw-r--r-- | src/a-vision-for-the-future/index.html | 498 | ||||
-rw-r--r-- | src/index.hbs | 6 |
3 files changed, 501 insertions, 218 deletions
diff --git a/src/2015-08-pyconau/index.html b/src/2015-08-pyconau/index.html deleted file mode 100644 index dca0882..0000000 --- a/src/2015-08-pyconau/index.html +++ /dev/null | |||
@@ -1,215 +0,0 @@ | |||
1 | <!doctype html> | ||
2 | <html lang="en"> | ||
3 | |||
4 | <head> | ||
5 | <meta charset="utf-8"> | ||
6 | |||
7 | <title>PyCon AU- Talking to Browsers with CORS</title> | ||
8 | |||
9 | <meta name="description" | ||
10 | content="This session will demonstrate how to break the browser's single origin policy, and permit true separability between a Python API and a browser-based client."> | ||
11 | <meta name="author" content="Michael Krotscheck"> | ||
12 | |||
13 | <meta name="apple-mobile-web-app-capable" content="yes"/> | ||
14 | <meta name="apple-mobile-web-app-status-bar-style" | ||
15 | content="black-translucent"/> | ||
16 | |||
17 | <meta name="viewport" | ||
18 | content="width=device-width, initial-scale=1.0, maximum-scale=1.0, user-scalable=no, minimal-ui"> | ||
19 | |||
20 | <link rel="stylesheet" href="../css/reveal.css"> | ||
21 | <link rel="stylesheet" href="../css/font-awesome.css"> | ||
22 | <link rel="stylesheet" href="../css/font-mfizz.css"> | ||
23 | <link rel="stylesheet" href="../css/theme/serif.css" id="theme"> | ||
24 | |||
25 | <!-- Code syntax highlighting --> | ||
26 | <link rel="stylesheet" href="../lib/css/zenburn.css"> | ||
27 | |||
28 | <!-- Printing and PDF exports --> | ||
29 | <script> | ||
30 | var link = document.createElement('link'); | ||
31 | link.rel = 'stylesheet'; | ||
32 | link.type = 'text/css'; | ||
33 | link.href = | ||
34 | window.location.search.match(/print-pdf/gi) ? '../css/print/pdf.css' : | ||
35 | '../css/print/paper.css'; | ||
36 | document.getElementsByTagName('head')[0].appendChild(link); | ||
37 | </script> | ||
38 | |||
39 | <!--[if lt IE 9]> | ||
40 | <script src="../lib/js/html5shiv.js"></script> | ||
41 | <![endif]--> | ||
42 | </head> | ||
43 | |||
44 | <body> | ||
45 | |||
46 | <div class="reveal" data-transition="slide"> | ||
47 | |||
48 | <!-- Any section element inside of this container is displayed as a slide --> | ||
49 | <div class="slides"> | ||
50 | <section> | ||
51 | <h2>Talking to Browsers with CORS</h2> | ||
52 | |||
53 | <h4>Breaking the single origin policy</h4> | ||
54 | </section> | ||
55 | |||
56 | <section> | ||
57 | <dl> | ||
58 | <dt>Author:</dt> | ||
59 | <dd> | ||
60 | <a href="http://www.krotscheck.net">Michael Krotscheck</a> | ||
61 | <br/> | ||
62 | <a href="http://twitter.com/krotscheck" target="_blank"> | ||
63 | <i class="fa fa-twitter"></i> krotscheck | ||
64 | </a> | ||
65 | <br/> | ||
66 | <a href="http://www.krotscheck.net" target="_blank"> | ||
67 | <i class="fa fa-wordpress"></i> http://www.krotscheck.net | ||
68 | </a> | ||
69 | </dd> | ||
70 | <dt>Source:</dt> | ||
71 | <dd><a href="https://github.com/krotscheck/presentations"> | ||
72 | https://github.com/krotscheck/presentations | ||
73 | </a></dd> | ||
74 | <dt>License:</dt> | ||
75 | <dd><a rel="license" | ||
76 | href="http://creativecommons.org/licenses/by/4.0/">Creative | ||
77 | Commons Attribution 4.0 International</a></dd> | ||
78 | </dl> | ||
79 | </section> | ||
80 | |||
81 | <section> | ||
82 | <h2>Topics Covered</h2> | ||
83 | </section> | ||
84 | |||
85 | <section> | ||
86 | <section> | ||
87 | <h2>Single Origin Policy</h2> | ||
88 | </section> | ||
89 | <section> | ||
90 | <h2>Security Concerns</h2> | ||
91 | </section> | ||
92 | </section> | ||
93 | |||
94 | <section> | ||
95 | <section> | ||
96 | <h2>Web Application Design Patterns</h2> | ||
97 | </section> | ||
98 | <section> | ||
99 | <h2>All-in-one</h2> | ||
100 | </section> | ||
101 | <section> | ||
102 | <h2>API + UI</h2> | ||
103 | </section> | ||
104 | <section> | ||
105 | <h2>API(s) + UI + UI-Server</h2> | ||
106 | |||
107 | <p> | ||
108 | <i class="icon-python"></i> | ||
109 | </p> | ||
110 | </section> | ||
111 | </section> | ||
112 | |||
113 | <section> | ||
114 | <section> | ||
115 | <h2>CORS</h2> | ||
116 | </section> | ||
117 | <section> | ||
118 | <h2>CORS Preflight request</h2> | ||
119 | </section> | ||
120 | <section> | ||
121 | <h2>CORS Preflight response</h2> | ||
122 | </section> | ||
123 | <section> | ||
124 | <h2>CORS Http Request</h2> | ||
125 | </section> | ||
126 | <section> | ||
127 | <h2>CORS Http Response</h2> | ||
128 | </section> | ||
129 | </section> | ||
130 | |||
131 | <section> | ||
132 | <section> | ||
133 | <h2>Implementing CORS</h2> | ||
134 | <dl> | ||
135 | <dt>Apache 2</dt> | ||
136 | <dd>mod_headers</dd> | ||
137 | <dt>Nginx</dt> | ||
138 | <dd>add_headers</dd> | ||
139 | <dt>Python WSGI</dt> | ||
140 | <dd>mod_headers</dd> | ||
141 | </dl> | ||
142 | <ul> | ||
143 | <li>Apache2: mod_headers</li> | ||
144 | <li>Nginx: add_headers</li> | ||
145 | <li>Python: Middleware</li> | ||
146 | </ul> | ||
147 | </section> | ||
148 | <section> | ||
149 | <h2>mod_headers</h2> | ||
150 | </section> | ||
151 | <section> | ||
152 | <h2>CORS via WSGI</h2> | ||
153 | </section> | ||
154 | <section> | ||
155 | <h2>oslo_middleware</h2> | ||
156 | </section> | ||
157 | <section> | ||
158 | <h2>other middleware</h2> | ||
159 | </section> | ||
160 | </section> | ||
161 | |||
162 | |||
163 | </div> | ||
164 | |||
165 | <script src="../lib/js/head.min.js"></script> | ||
166 | <script src="../js/reveal.js"></script> | ||
167 | |||
168 | <script> | ||
169 | |||
170 | // Full list of configuration options available at: | ||
171 | // https://github.com/hakimel/reveal.js#configuration | ||
172 | Reveal.initialize({ | ||
173 | controls: true, | ||
174 | progress: true, | ||
175 | history: true, | ||
176 | center: true, | ||
177 | |||
178 | transition: 'slide', // none/fade/slide/convex/concave/zoom | ||
179 | |||
180 | // Optional reveal.js plugins | ||
181 | dependencies: [ | ||
182 | { | ||
183 | src: '../lib/js/classList.js', condition: function () { | ||
184 | return !document.body.classList; | ||
185 | } | ||
186 | }, | ||
187 | { | ||
188 | src: '../plugin/markdown/marked.js', condition: function () { | ||
189 | return !!document.querySelector('[data-markdown]'); | ||
190 | } | ||
191 | }, | ||
192 | { | ||
193 | src: '../plugin/markdown/markdown.js', condition: function () { | ||
194 | return !!document.querySelector('[data-markdown]'); | ||
195 | } | ||
196 | }, | ||
197 | { | ||
198 | src: '../plugin/highlight/highlight.js', | ||
199 | async: true, | ||
200 | condition: function () { | ||
201 | return !!document.querySelector('pre code'); | ||
202 | }, | ||
203 | callback: function () { | ||
204 | hljs.initHighlightingOnLoad(); | ||
205 | } | ||
206 | }, | ||
207 | {src: '../plugin/zoom-js/zoom.js', async: true}, | ||
208 | {src: '../plugin/notes/notes.js', async: true} | ||
209 | ] | ||
210 | }); | ||
211 | |||
212 | </script> | ||
213 | |||
214 | </body> | ||
215 | </html> | ||
diff --git a/src/a-vision-for-the-future/index.html b/src/a-vision-for-the-future/index.html new file mode 100644 index 0000000..cc5280b --- /dev/null +++ b/src/a-vision-for-the-future/index.html | |||
@@ -0,0 +1,498 @@ | |||
1 | <!doctype html> | ||
2 | <html lang="en"> | ||
3 | |||
4 | <head> | ||
5 | <meta charset="utf-8"> | ||
6 | |||
7 | <title>OpenStack: a vision for the future</title> | ||
8 | |||
9 | <meta name="author" content="Monty Taylor" /> | ||
10 | |||
11 | <meta name="apple-mobile-web-app-capable" content="yes" /> | ||
12 | <meta name="apple-mobile-web-app-status-bar-style" content="black-translucent" /> | ||
13 | |||
14 | <meta name="viewport" content="width=device-width, initial-scale=1.0, maximum-scale=1.0, user-scalable=no"> | ||
15 | |||
16 | <link rel="stylesheet" href="../css/reveal.min.css"> | ||
17 | <link rel="stylesheet" href="../css/theme/openstack.css" id="theme"> | ||
18 | |||
19 | <!-- For syntax highlighting --> | ||
20 | <link rel="stylesheet" href="../lib/css/zenburn.css"> | ||
21 | |||
22 | <!-- If the query includes 'print-pdf', include the PDF print sheet --> | ||
23 | <script> | ||
24 | var link = document.createElement('link'); | ||
25 | link.rel = 'stylesheet'; | ||
26 | link.type = 'text/css'; | ||
27 | link.href = | ||
28 | window.location.search.match(/print-pdf/gi) ? '../css/print/pdf.css' : | ||
29 | '../css/print/paper.css'; | ||
30 | document.getElementsByTagName('head')[0].appendChild(link); | ||
31 | </script> | ||
32 | </head> | ||
33 | <body> | ||
34 | |||
35 | <div class="reveal"><div class="slides"> | ||
36 | |||
37 | <section data-state="cover"> | ||
38 | |||
39 | <h1><span xmlns:dct="http://purl.org/dc/terms/" | ||
40 | href="http://purl.org/dc/dcmitype/InteractiveResource" | ||
41 | property="dct:title" | ||
42 | rel="dct:type"> | ||
43 | OpenStack: a vision for the future | ||
44 | </span></h1> | ||
45 | <h3 xmlns:cc="http://creativecommons.org/ns#" | ||
46 | property="cc:attributionName">Monty Taylor</h3> | ||
47 | <h4><a xmlns:cc="http://creativecommons.org/ns#" | ||
48 | rel="cc:attributionURL" | ||
49 | href='http://inaugust.com/talks/a-vision-for-the-future.html'>http://inaugust.com/talks/a-vision-for-the-future.html</a> </h4> | ||
50 | <h3> twitter: @e_monty </h3> | ||
51 | </section> | ||
52 | |||
53 | <section> | ||
54 | <h1>Stanislavski</h1> | ||
55 | </section> | ||
56 | |||
57 | |||
58 | <section> | ||
59 | <img src="images/openstack-cloud-software-vertical-large.png" /> | ||
60 | </section> | ||
61 | |||
62 | <section id="who-am-i-openstack" class="slide level2"> | ||
63 | <h1>Who am I?</h1> | ||
64 | <img style="float:right; margin-right:24pt" src="images/openstack-cloud-software-vertical-large.png" /> | ||
65 | <p>Technical Committee</p> | ||
66 | <p>Foundation Board of Directors</p> | ||
67 | <p>Developer Infrastructure Core Team</p> | ||
68 | </section> | ||
69 | |||
70 | |||
71 | <section id="who-am-i-openstack" class="slide level2"> | ||
72 | <h1>Who am I?</h1> | ||
73 | <img style="float:right; margin-right:24pt" src="images/image39.JPG" /> | ||
74 | <p>Undergrad Degree in Theatre Directing</p> | ||
75 | <p>Grad School at CalArts for Lighting Design</p> | ||
76 | <p>Member of the Satori Group</p> | ||
77 | </section> | ||
78 | |||
79 | |||
80 | <section> | ||
81 | <h1>Konstantin Sergeyevich Stanislavsky</h1> | ||
82 | |||
83 | <h3>Константи́н Серге́евич Станисла́вский</h3> | ||
84 | <p class="fragment">Founder of the Moscow Art Theatre</p> | ||
85 | |||
86 | <p class="fragment">"The task of our generation is to liberate art from outmoded tradition, from tired cliché and to give greater freedom to imagination and creative ability."</p> | ||
87 | |||
88 | <p class="fragment">Psychological Realism</p> | ||
89 | </section> | ||
90 | |||
91 | |||
92 | <section> | ||
93 | <h1>Anton Chekhov</h1> | ||
94 | <p>The Seagull (1898)</p> | ||
95 | <p>Uncle Vanya (1899)</p> | ||
96 | <p>The Three Sisters (1901)</p> | ||
97 | <p>The Cherry Orchard (1904)</p> | ||
98 | </section> | ||
99 | |||
100 | |||
101 | <section> | ||
102 | <h1>Moscow Art Theatre</h1> | ||
103 | |||
104 | <p>Founded in 1897</p> | ||
105 | |||
106 | <p>popular seat prices</p> | ||
107 | |||
108 | <p>ensemble ethos</p> | ||
109 | |||
110 | <p>realistic theatre</p> | ||
111 | |||
112 | |||
113 | </section> | ||
114 | |||
115 | |||
116 | <section> | ||
117 | <h1>Verisimilitude</h1> | ||
118 | |||
119 | <p>the appearance of being true or real</p> | ||
120 | |||
121 | |||
122 | </section> | ||
123 | |||
124 | |||
125 | <section> | ||
126 | <h1>Psychology, Physiology and Neurology</h1> | ||
127 | |||
128 | <p class="fragment">First meeting of International Congress of Psychology - Paris, 1889</p> | ||
129 | |||
130 | <p class="fragment">Pavlov - Institute of Experimenal Medicine, St. Petersburg, 1891</p> | ||
131 | |||
132 | <p class="fragment">(the dogs were in 1901)</p> | ||
133 | |||
134 | <p class="fragment">Freud - Interpretation of Dreams 1899</p> | ||
135 | |||
136 | |||
137 | </section> | ||
138 | |||
139 | |||
140 | <section> | ||
141 | <h1>Stanislavski's system</h1> | ||
142 | |||
143 | <p>psychophisology</p> | ||
144 | |||
145 | <p>interrelation between mind and body</p> | ||
146 | |||
147 | <p>Physical Actions and Internal Life are linked</p> | ||
148 | |||
149 | <p>Most modern theatre, tv and film actors</p> | ||
150 | |||
151 | |||
152 | </section> | ||
153 | |||
154 | |||
155 | <section> | ||
156 | <h1>Key ideas</h1> | ||
157 | |||
158 | <p class="fragment">"What if" (what if I were in the same situtaion as my character)</p> | ||
159 | |||
160 | <p class="fragment">Motivation (why)</p> | ||
161 | |||
162 | <p class="fragment">Objectives (what do I want)</p> | ||
163 | |||
164 | </section> | ||
165 | |||
166 | <section data-transition="zoom"> | ||
167 | <h1>Chekhov and Psychological action</h1> | ||
168 | </section> | ||
169 | |||
170 | |||
171 | <section data-transition="zoom"> | ||
172 | <h1>Emotional Memory</h1> | ||
173 | </section> | ||
174 | |||
175 | |||
176 | <section data-transition="zoom"> | ||
177 | <h1>Sense Memory</h1> | ||
178 | </section> | ||
179 | |||
180 | |||
181 | <section> | ||
182 | <h1>Inside out</h1> | ||
183 | |||
184 | <p>like using a programming framework</p> | ||
185 | |||
186 | <p>Express the key points - let the framework handle the details</p> | ||
187 | |||
188 | <p>Manipulate the emotional life - the body will handle a lot of the details</p> | ||
189 | |||
190 | |||
191 | </section> | ||
192 | |||
193 | |||
194 | <section> | ||
195 | <h1><em>An Actor Prepares</em></h1> | ||
196 | |||
197 | <p>For further reading</p> | ||
198 | |||
199 | |||
200 | </section> | ||
201 | |||
202 | |||
203 | <section> | ||
204 | <h1>Lee Strasberg</h1> | ||
205 | |||
206 | <p class="fragment">Moscow Art Theatre visited the US in 1923</p> | ||
207 | |||
208 | <p class="fragment">Strasberg == Mind Blown</p> | ||
209 | |||
210 | <p class="fragment">Dropped out of school and went to study with the Russians</p> | ||
211 | |||
212 | |||
213 | </section> | ||
214 | |||
215 | |||
216 | <section> | ||
217 | <h1>The Group Theatre</h1> | ||
218 | |||
219 | <p>New York - 1931</p> | ||
220 | |||
221 | <p>Founded by Lee Strassberg, Harold Clurman and Cheryl Crawford</p> | ||
222 | |||
223 | <p>Not the same as the Group Theatre in London</p> | ||
224 | |||
225 | <p>Believed in Leaderless Operation and Collaborative Work</p> | ||
226 | |||
227 | |||
228 | </section> | ||
229 | |||
230 | |||
231 | <section> | ||
232 | <h1>Sound familiar?</h1> | ||
233 | </section> | ||
234 | |||
235 | |||
236 | <section> | ||
237 | <h1>The Method</h1> | ||
238 | |||
239 | <p class="fragment">Strasberg took Stanislavski's system and made a training system</p> | ||
240 | |||
241 | <p class="fragment">You've probably heard of it</p> | ||
242 | |||
243 | <p class="fragment">Marlon Brando, Heath Ledger, Philip Seymor Hoffman, Robert DeNiro, Daniel Day-Lewis, Christian Bale, Al Pacino</p> | ||
244 | |||
245 | |||
246 | </section> | ||
247 | |||
248 | |||
249 | <section> | ||
250 | <h1>Big differences from Stanislavski</h1> | ||
251 | |||
252 | <p class="fragment">Emotional Memory becomes Affective Memory</p> | ||
253 | |||
254 | <p class="fragment">Substitution - What would make me, the actor, behave in the way the character does</p> | ||
255 | |||
256 | |||
257 | </section> | ||
258 | |||
259 | |||
260 | <section> | ||
261 | <h1>So I was at this bar ...</h1> | ||
262 | </section> | ||
263 | |||
264 | |||
265 | <section> | ||
266 | <h1>Clear danger, right?</h1> | ||
267 | |||
268 | <p>Notice that Heath Ledger and Philip Seymour Hoffman were in the list</p> | ||
269 | |||
270 | <p>Everyone other than Strasberg walked away from pure-emotional immersion</p> | ||
271 | |||
272 | |||
273 | </section> | ||
274 | |||
275 | |||
276 | <section> | ||
277 | <h1>Stanford Meisner</h1> | ||
278 | |||
279 | <p>Split from Strasberg - thought emotional memory caused actors to focus on themselves and not the character</p> | ||
280 | |||
281 | <p>Concentration on the parter instead</p> | ||
282 | |||
283 | <p>live truthfully under imaginary circumstances</p> | ||
284 | |||
285 | </section> | ||
286 | |||
287 | |||
288 | <section> | ||
289 | <h1>Stella Adler</h1> | ||
290 | |||
291 | <p>Broke with Strasberg after studying with Stanislavski</p> | ||
292 | |||
293 | <p>Emotion should come from imagination based on given circumstance</p> | ||
294 | |||
295 | |||
296 | </section> | ||
297 | |||
298 | |||
299 | <section> | ||
300 | <h1>Uta Hagen</h1> | ||
301 | |||
302 | <p>Another split</p> | ||
303 | |||
304 | <p>Basic Object Exercises</p> | ||
305 | |||
306 | <p>Start by doing mundane things in front of people</p> | ||
307 | |||
308 | |||
309 | </section> | ||
310 | |||
311 | |||
312 | <section> | ||
313 | <h1>What the heck does this have to do with OpenStack?</h1> | ||
314 | </section> | ||
315 | |||
316 | |||
317 | <section> | ||
318 | <h1>All of these people shared a purpose</h1> | ||
319 | |||
320 | <p class="fragment">To create truth in realistic acting</p> | ||
321 | |||
322 | |||
323 | </section> | ||
324 | |||
325 | |||
326 | <section> | ||
327 | <h1>All of these people both shared approaches and diverged substantially</h1> | ||
328 | |||
329 | <p class="fragment">"What would I do if I were in this circumstance"</p> | ||
330 | |||
331 | <p class="fragment">"What would motivate me, the actor, to behave in the way the character does?"</p> | ||
332 | |||
333 | |||
334 | </section> | ||
335 | |||
336 | |||
337 | <section> | ||
338 | <h1>Tadashi Suzuki</h1> | ||
339 | </section> | ||
340 | |||
341 | |||
342 | <section> | ||
343 | <h1>The Feet</h1> | ||
344 | |||
345 | <p class="fragment">connection to the ground</p> | ||
346 | <p class="fragment">outside in</p> | ||
347 | <p class="fragment">Truth from Physicality, not from Psychological realism</p> | ||
348 | </section> | ||
349 | |||
350 | |||
351 | <section> | ||
352 | <h1>The Trojan Women</h1> | ||
353 | |||
354 | <p>Drew from Noh, Kabuki and Shingeki tranditions</p> | ||
355 | |||
356 | <p>Produce a thing that is "true" to a modern Japanese sensibility</p> | ||
357 | |||
358 | <p>Training arose from the need to train replacement actors for the show</p> | ||
359 | |||
360 | |||
361 | </section> | ||
362 | |||
363 | |||
364 | <section> | ||
365 | <h1>SITI Company</h1> | ||
366 | |||
367 | <p>Suzuki collaborated with Anne Bogart</p> | ||
368 | |||
369 | <p>Added Anne Bogart's Viewpoints to Suzuki's techniques</p> | ||
370 | |||
371 | |||
372 | </section> | ||
373 | |||
374 | |||
375 | <section> | ||
376 | <h1>P3</h1> | ||
377 | |||
378 | <p>Robyn Hunt and Steve Pearson studied for 12 year in Japan with Suzuki</p> | ||
379 | |||
380 | <p>Moved back to US to teach the techniques</p> | ||
381 | |||
382 | <p>Added Shogo Ohta's slow-tempo techniques</p> | ||
383 | |||
384 | |||
385 | </section> | ||
386 | |||
387 | |||
388 | <section> | ||
389 | <h1>Frank</h1> | ||
390 | |||
391 | <p>Here in Brisbane</p> | ||
392 | |||
393 | <p>Studied with Suzuki - Added Australian content and form</p> | ||
394 | |||
395 | <p>Exercies to Nick Cave instead of Japanese Flute</p> | ||
396 | |||
397 | </section> | ||
398 | |||
399 | |||
400 | <section> | ||
401 | <h1>The training is a tool</h1> | ||
402 | |||
403 | <p>An actor might study all of them</p> | ||
404 | <p>Each technique can be useful for different things</p> | ||
405 | |||
406 | |||
407 | </section> | ||
408 | |||
409 | <section> | ||
410 | <h1>Shakespeare</h1> | ||
411 | <p>Each of these directors has applied their techniques to Shakespeare</p> | ||
412 | </section> | ||
413 | |||
414 | <section> | ||
415 | <h1>They're all useful tools for different hings</h1> | ||
416 | </section> | ||
417 | |||
418 | |||
419 | <section> | ||
420 | <h1>Why all this talk about acting techniques?</h1> | ||
421 | </section> | ||
422 | |||
423 | |||
424 | <section> | ||
425 | <h1>Four takeaways from the actors</h1> | ||
426 | <p class="fragment">Know what problem they're trying to solve</p> | ||
427 | <p class="fragment">Develop techniques to solve the problem</p> | ||
428 | <p class="fragment">Don't confuse technique with results</p> | ||
429 | <p class="fragment">Be willing to adapt based on new data</p> | ||
430 | </section> | ||
431 | |||
432 | |||
433 | <section> | ||
434 | <h1>The problem</h1> | ||
435 | <p class="fragment">Are we chasing psycological realism?</p> | ||
436 | <p class="fragment">Are we chasing physical truth?</p> | ||
437 | </section> | ||
438 | |||
439 | |||
440 | <section> | ||
441 | <h1>The problem for us</h1> | ||
442 | <p class="fragment">Are we making a toolkit for people to use to build clouds?</p> | ||
443 | <p class="fragment">Are we making a cloud that can be deployed in multiple places?</p> | ||
444 | <p class="fragment">Are we providing computers?</p> | ||
445 | </section> | ||
446 | |||
447 | <section> | ||
448 | <h1>What I want</h1> | ||
449 | </section> | ||
450 | |||
451 | <section data-transition='zoom'> | ||
452 | <h1>OpenStack should provide computers and networks that work</h1> | ||
453 | </section> | ||
454 | |||
455 | <section data-transition='zoom'> | ||
456 | <h1>OpenStack should not chase 12-factor apps</h1> | ||
457 | </section> | ||
458 | |||
459 | <section data-transition='zoom'> | ||
460 | <h1>OpenStack should provide a happy home for app frameworks</h1> | ||
461 | </section> | ||
462 | |||
463 | <section data-transition='zoom'> | ||
464 | <h1>OpenStack should, by default, give me a directly routable IP</h1> | ||
465 | </section> | ||
466 | |||
467 | <section> | ||
468 | <h1> Thank you! </h1> | ||
469 | <h4> <a href='http://inaugust.com/talks/a-vision-for-the-future.html'>http://inaugust.com/talks/a-vision-for-the-future.html</a> </h4> | ||
470 | <h3> twitter: @e_monty </h3> | ||
471 | </section> | ||
472 | |||
473 | </div> | ||
474 | <div class="footer"> | ||
475 | <a rel="license" href="http://creativecommons.org/licenses/by/4.0/"> | ||
476 | <img alt="Creative Commons License" | ||
477 | style="border-width:0" | ||
478 | src="https://i.creativecommons.org/l/by/4.0/88x31.png" /> | ||
479 | </a><br /> | ||
480 | Licensed under a | ||
481 | <a rel="license" | ||
482 | href="http://creativecommons.org/licenses/by/4.0/"> | ||
483 | Creative Commons Attribution 4.0 International License | ||
484 | </a>. | ||
485 | <br /> | ||
486 | Source code available at <a href='http://git.inaugust.com/cgit/mordred-talks'>http://git.inaugust.com/cgit/mordred-talks</a> | ||
487 | </div> | ||
488 | |||
489 | </div> | ||
490 | |||
491 | <script src="../lib/js/head.min.js"></script> | ||
492 | <script src="../js/reveal.min.js"></script> | ||
493 | |||
494 | <script src="../js/this.js"></script> | ||
495 | |||
496 | </body> | ||
497 | </html> | ||
498 | |||
diff --git a/src/index.hbs b/src/index.hbs index c5cbc93..97114c7 100644 --- a/src/index.hbs +++ b/src/index.hbs | |||
@@ -3,11 +3,11 @@ | |||
3 | 3 | ||
4 | <head> | 4 | <head> |
5 | <meta charset="utf-8"> | 5 | <meta charset="utf-8"> |
6 | <title>Convention Presentations</title> | 6 | <title>Conference Talks</title> |
7 | <link rel="stylesheet" | 7 | <link rel="stylesheet" |
8 | href="css/bootstrap.css"> | 8 | href="css/bootstrap.css"> |
9 | <meta name="description" | 9 | <meta name="description" |
10 | content="Convention Presentations by {{author.name}}"> | 10 | content="Conference Talks by {{author.name}}"> |
11 | <meta name="author" content="{{author.name}}"> | 11 | <meta name="author" content="{{author.name}}"> |
12 | <meta name="viewport" | 12 | <meta name="viewport" |
13 | content="width=device-width, initial-scale=1.0, maximum-scale=1.0, user-scalable=no, minimal-ui"> | 13 | content="width=device-width, initial-scale=1.0, maximum-scale=1.0, user-scalable=no, minimal-ui"> |
@@ -16,7 +16,7 @@ | |||
16 | <body style="margin-top: 70px; margin-bottom: 70px"> | 16 | <body style="margin-top: 70px; margin-bottom: 70px"> |
17 | <nav class="navbar navbar-default navbar-fixed-top"> | 17 | <nav class="navbar navbar-default navbar-fixed-top"> |
18 | <div class="container-fluid"> | 18 | <div class="container-fluid"> |
19 | <span class="navbar-brand">Convention Presentations</span> | 19 | <span class="navbar-brand">Conference Talks</span> |
20 | </div> | 20 | </div> |
21 | </nav> | 21 | </nav> |
22 | <div class="container-fluid"> | 22 | <div class="container-fluid"> |